Reclaiming Rāmayāna

Volume Editorial

It gives me pleasure to write a few words by way of editorial to this monograph of my dear student Ms. Manjushree Hegde. This monograph problematises Professor Sheldon Pollock’s interpretation of the Rāmāyaṇa.

Epic v/s Itihāsa
It is typical of Western scholars to treat Indian Itihāsa-s and Purāṇa-s on par with their own epics – viz. the poems of Homer (dated around 8th c. BCE). But Dr. V. Raghavan, one of the finest Sanskrit scholars of the last century, had already cautioned: “To place the two Indian epics on a par with Homer or Virgil is to ignore how the Indian poems have been adored and how they have moulded the character and faith of the people”. Brockington is not unaware of the prejudices that alien labels such as “epics” may inject into readers’ minds.Already by the time of Plato (4th c. BCE), the Homeric poems had come to be looked down upon. In vivid contrast, there was/is no Hindu – through the length and breadth of this vast country and through the millennia of history – who does not revere the Itihāsa-s of the Hindu heritage viz. the Rāmāyaṇa and the Mahābhārata. (That is not to deny, of course, the new breed of Hindus with their thoroughly colonised minds, who look upon the West with admiration if not awe, or are sold to leftist and “secular” ideologies).

Tapas and Yoga
To the typical Western Indologist the Rāmāyaṇa is a “chaotically structured” text. The very opening word of the Rāmāyaṇa is anathema to him: the Rāmāyaṇa starts with tapas – which is a mere mortification of the body (if he professes Christianity), and little else than superstition (if he swears by “secularism”/science). Yet there is no Sanskrit work which does not revere tapas and yoga. The Gītā calls itself a Yoga-śāstra. Vyāsa wrote the Mahābhārata with the power of tapas and brahma-carya, says the opening chapter of the epic (tapasā brahmacaryeṇa – Mahābhārata 1.1.54). “Stationed in yoga” it was, that Vālmīki “beheld” all of the Rāmāyaṇa. “tataḥ paśyati dharmātmā tat sarvaṁ yogam āsthitaḥ” (Rāmāyaṇa 1.3.6), and saw everything in its verity and veracity (tat sarvaṁ tattvato dṛṣṭvā 1.3.7) – noted, right again, in the opening chapters.

Exhume and Censor
A typical Westerner would love instead some ballad, “a heroic tale of love, loss and recovery”, which he therefore would suppose to form the “nucleus of the epic”; even the wise sayings of the epics are but extraneous inanities to him, howsoever integral they are to the story. His mind runs to “settle” the text, arrive at a “definitive” edition, rid the epic mass of all dross of “accretions”, given as he is to suspecting and discovering “interpolations” at every step by deploying “Higher Criticism”. As time progresses, the newer breed of Indologists would like to do something smarter: discover something newer, something “deeper”, that is nonsensical with the epics — discover some evils of patriarchy, or like Pollock, exhume and unpack, and expose the hegemonic and oppressive tactics enshrined in them. And for this, Pollock develops many theoretical frameworks, his 3D-philology positing three meanings – the authorial, the traditional and the presentist – “all equally true”. As the last one, mine, is as true as the original author’s, I can foist upon a text any interpretation as I choose to. Legitimising nonsense thus can unleash a volley of interpretations and interpretive strategies, which can run easily amuck. For Pollock or the critics of his ilk, whatever is religious/mythological and philosophical/didactic in Sanskrit literature (would smack of “Brahmanism”, and so,) must be purged from the text. The critic has the fullest freedom to be on the look out for censuring, and so censoring, whatever sounds superfluous to him, or laborious or incongruous to him – from the epic, branding them as unoriginal. As Manjushree’s excursus shows, this Higher Criticism was tried on literature from the Bible to Shakespeare, and was rather repudiated by the scholarly elite of indisputable eminence such as Humboldt and Goethe. Vandalising other cultures is the prerogative, nay duty, of the White Man, after all.

Manjushree has very well shown the hollowness of Pollock’s foisting somehow a “fratricidal war” as the recurrent theme in the epics: so he can stoop to the level of showing Kaṁsa as the brother of Kṛṣṇa! Pollock seeks to show that dynastic succession marked a major change in the structure of political power in Indian history, only towards the beginning of the epic period. To the contrary, there are around 50 references in the Ṛgveda alone that speak of various dynasties. If not fratricide, should not patricide be posited somehow as the next step by default as elsewhere (as for example the standard practice that it was withregardtomany,ifnotmost,Muslimrulers)? Yes, vānaprasthāśrama for the king and yauvarājya for the prince appear to Pollock as an “institutionalized ritual exile of the king”! Manjushree cites P V Kane to show how vānaprastha was no new invention in the Rāmāyaṇa, but one dealt with already in Aitareya Brāhmaṇa.

 Sowing Seeds of Suspicion
Struggle for power, dynastic conflict, and armed combat are for Pollock, the “normal” processes of succession! He seeks to show the commonalities between Ayodhyākāṇḍa of the Rāmāyaṇa and Sabhāparvan of the Mahābhārata — with an aim to characterise these second sections of the two epics as the true commencement of the stories therein. He sees similarities in the behaviour of  Rāma and Yudhiṣṭhira, and even suggests collapsing the two texts into a single time-frame! Though depictions of fraternal unity incomparably outnumber fratricidal wars in ancient Indian literature, Pollock thinks that Daśaratha, Kausalyā, Guha, Bharadvāja and even Lakṣmaṇa – all of them suspect that Bharata would mount a struggle for power! The subtle mistranslations by Pollock of the original Rāmāyaṇa passages in these contexts are very well laid bare by the author of this monograph. In certain places, Pollock’s own translation betrays his misreading and misinterpretation. Pollock makes much of the (sole) statement in the work on rājya-śulka, and our author shows how it has no corroboration in the words or deeds of any character in the long epic. For the wearer of the political spectacles, the most adventitious can loom as the inexorably quintessential. Where was the need to read politics into Bharata’s staying at his uncle’s house? He was sent there by Kaikeyī herself, after all (2.8.28, Mantharā’s words to Kaikeyī). Further, kṛta-śobhi (2.4.27) in this context can simply be rendered as [the mind (cittam) which is] full of glow and glee (-śobhi) by a [good] deed performed or executed (kṛta-) (rather than merely contemplated). Kṛta, in the sense of sukṛta, “well-done” (of a positive, rather than neutral, value) shows itself as the first member of at least a dozen compound words in Sanskrit. If Kaikeyī herself rejoiced, as she did, apropos Rāma’s coronation in prospect, would not Bharata have, in retrospect? If there is a dictum that one must act like Rāma (which is to say act dharmically), it appears to Pollock as an expedient to “submission to hierarchy” so contrived as to make way for absolute heteronomy! Filial piety is for him a political tool of subjugation! Our author points out how the same virtue was praised in Chinese and Roman cultures too. Contrast this with the natural ejaculation of Monier Williams (1863): “Nothing can be more beautiful and touching than the pictures of domestic and social happiness in the Rāmāyaṇa and the Mahābhārata … In England, where national life is strongest, children are … less respectful to their parents. In this, the Hindus might teach us a good lesson.” And this, in spite of the Fifth Commandment of the Bible – viz. Honor thy parents, thy father and thy mother! Or, will Pollock see the same conspiracy already in the Bible? Or, does he hold this idea has travelled from the East to “vitiate” the West? Pollock has had (read plainly pretends to have had) no knowledge of the celebrated Upaniṣadic dicta viz. mātṛdevo bhava and pitṛdevo bhava. Surely an editor of the classics of India ought to know this! Or is this another attempt at divide et impera? The issue of social hierarchy takes our author into the scheme of the varṇāśrama system which she analyses in the light of the approach of Coomaraswamy (who in turn brings in the corrobrative analysis of Plato too). The concepts of yajña, karman, dharma and vocation are clearly set forth by her in their inter-relationship.

Spiritual Authority and Temporal Power 
Pollock speaks of the relationship between “the king and the brahmin”, which is to say kṣātra and brāhma, as an uneasy one. Yet for over three millennia, the system was followed without even a faint hint of cataclysm. The brahmin’s monopoly of the source of authority bars, asserts Pollock, kingship from developing its full potential; quite to the contrary, Manu as well as the Mahābhārata bring out the harmony and mutual complementarity and supplementarity of the two very well (Manusmṛti 9.322). Manjushree refutes Pollock’s claim that Rāma had any contempt for kṣātra-dharma, citing half a dozen verses from the Rāmāyaṇa, all wilfully ignored by Pollock. There can be nothing more mischievous than the equation of the Indian king with personal autocracy. The Hindu king, on the other hand, was never considered above law, but always under the Principle of Dharma, than which there is no Higher. There is perfect accord regarding this issue amongst the Rāmāyaṇa and the Mahābhārata, the Manusmṛti and Arthaśāstra. The crowning quote from Coomaraswamy bears out how the healthy development of kingship to its full potential  was achieved nowhere else perhaps as in India – exactly contrary to the contention of Pollock. Araṇyakāṇda of the Rāmāyaṇa is very problematic for Pollock, as very many events there are “marvellous and  fantastic”. Professing to study the epic from a traditional standpoint, Pollock switches over glibly midway to Northrop Frye’s idea of a myth. “The monstrous subhuman creatures and beings of superhuman spirituality” are items that Pollock cannot digest. Pollock thinks that kingship is the unifying element in the Rāmāyaṇa, forgetting or ignoring the fact that Rāma acts as but a kṣatriya, not as a king himself, in the episodes of Araṇyakāṇḍa. The sages seek Rāma’s help in the Rāmāyaṇa, much as the brahmins beseech Yudhiṣṭhira’s help in the Mahābhārata when he is in exile. The six-fold classification of dharma that our author draws our attention to is quite inclusive, and well explains the role of Rāma in the forest.

Divinity: Functional or Ontological?
Another issue where Pollock expends much of his ingenuity is in the discussion of the question of the divinity of Rāma in the Rāmāyaṇa. There is a great deal of difference in referring — to kings in general as embodiments of divinity, and to Rāma as an incarnation of Viṣṇu. Calling Rāma a god-man, rather dubiously, Pollock attempts to conflate the concepts and confuse the readers, but Manjushree lays bare the subterfuge of Pollock. Pollock has several jibes at Rāma in the wake of the kidnap of Sītā when Rāma is full of grief. Pollock says that Rāma wanders like a madman but Manjushree shows how the poet develops vipralambha-śṛṅgāra-rasa
in the poetical work that the Rāmāyaṇa is. She is careful enough to notice how even while taking into account though partially, the traditional interpretation, Pollock also subtly disparages them. The clear difference between Rāma as God, and perceiving every king as god, is carefully befuddled by Pollock. Manjushree looks into the examples of Nala versus the divinities in the Mahābhārata, as also the episode of Pṛthu Vainya therein, and Rāma’s own claim in the Rāmāyaṇa that he is human. She brings in relevant statements from Āpastamba Dharma Sū-tra, Gautama Dharma Sūtra and Vasiṣṭha Dharma Sūtra (all ancient texts of the pre-Christian era) in handling this subtle issue. She does not miss the key mistranslation well-wrought by Pollock of a verse in the Rāmāyaṇa in this context. She very well establishes the clear cut difference between an ontological divinity and a functional divinity about which even a layman in India may be sensitive, but which even some scholars of our times can be made to get confounded about; and this, Pollock exploits very well.

The misinterpretations of Pollock are not limited to literary texts. That he has stakes in the contemporary political developments of India is liable to be missed by many cabined in and confined to literary/academic circles. In his 1993 article he aired his ire against the Rath Yātrā of L K Advani — when the call to rebuild the destroyed Ram Mandir at Ayodhya was given. In his zest for playing upto Islamophiles, a la the obsequious leftists, Pollock grieves that the epic poem is “invoked to
empower and give substance to the politics of the present”.

Archeology and Epigraphy: Tool to Delude 
Foraying into archaeological and epigraphical “evidence’ too, Pollock tries to demonstrate that Rāma came to occupy a public political space from the 12th Century onwards. He does not accuse politicians of abusing the Rāmāyaṇa for political purposes, or that some elements in the Rāmāyaṇa have been exploited for that purpose. He lays the blame squarely on the Rāmāyaṇa itself as carrying elements and instruments that allow for an easy deployment for dangerous political  purposes: “the Other can be fully demonized, categorized, counterposed and condemned”! The message that Pollock gives – not subtly, but openly, is that 12th century onwards, it is the Rāmāyaṇa that has been used for othering Muslims who were demonized, and Hindu kings divinised; and hence the Rāmāyaṇa is having a dangerous role in Hindu-Muslim politics. It is only after the 12th century, Pollock argues, that India saw the rise of Rāma temples subsequent, and hence consequent, to the arrival of Muslims. Our author shows how the archeological and inscriptional evidences furnished by Pollock are either very partial and selective, or are quite inconclusive, and in any case over-interpreted. Pollock quotes from Bakker, but Talbot and Chattopadhyaya show the hollowness of the claims of either. Typical of Pollock’s academic temerity are words such as these in the context (but used passim): “…my findings have to be regarded as provisional, but again I would be surprised if further work would require fundamental revision of my conclusion”. So our author examines in detail the Dabhoi inscription (13th c. C.E.) and Hansi inscription (12th c. C.E.) which Pollock himself offers as supporting his stand; and she shows how the political mytheme of Rāma v/s Rāvaṇa does not figure in them in fact, despite Pollock’s claims to the contrary. Kings are glorified (in the context of their vanquishing the barbarian turuṣka-s) as not merely Rāma, but as too, Indra, Viṣṇu, Śiva, Yudhiṣṭhira and many others – quite contrary to the political imagination of Pollock. Our author offers the evidence of five inscriptions of the 12th and 13th centuries – all consistently contradicting the stand taken by Pollock.

Literary Evidence: Nil
And when it comes to historiographical or literary evidence that Pollock seeks to exploit, our author provides both anvaya and vyatireka evidence in abundance that repulse the tall claims of the “Rāmāyaṇa mytheme” given as some revelation by Pollock. If Pollock points to two kāvya-s as supporting his idea, she provides evidence from more to show that there is nothing that even approximates to the “mythopolitical equivalence” that he conjures, even in the kāvya-s that he cites himself. Cherry-picking only convenient facts (or rather factoids, or more exactly merely somewhat suggestive data), concealing their settings, and stripping them of larger/fuller contexts, and brazenly building grand theories out of them – all this, and the grandiloquent language, befits or bespeaks of merely overambitious  apprentices; not by any means, of mature scholars. Perfidy, let there be no illusion, is not compensated by ostentation. It is a tragedy of another order that Pollock considers dharma as a mere socio-political issue, whereas in Hindu India, even poetry (or for that matter any art) was considered a yoga of a different format, which is to say, one of universal and transcendent dimensions, though not without social/political reflections.

Vedic Roots
The Hindu tradition always looked upon the epics – the Rāmāyaṇa and the Mahābhārata – as elaborations (upabṛṁhaṇa) of the Veda-s : the mitra-sammita thus expounded the ideas and ideals of the prabhusammita; nor did the kāntā-sammita (poetry/literature in general) lag behind (The Rāmāyaṇa could very well be viewed as both mitra-sammita and kāntā-sammita). The greatest text book on poetics (viz. Kāvyaprakāśa) said that kāvya sends out its message viz. be like Rāma (rāmā- divad vartitavyaṁ, na rāvaṇādivat) very subtly; and the greatest vādagrantha on poetics (viz. Dhvanyāloka) showed (at 4.5+) how mokṣa (the Summum Bonum of life), and śānta-rasa (the Flavour of Tranquillity), constitute the quintessence of the Mahābhārata, the twin epic of the Rāmāyaṇa.

Iconoclasts in Academic Cloak
The “academic” attack suffused with casuistry, upon the spiritual kāvya of a yogic poet (by resorting to the ruse of labelling it as but a political poem) is a crime more heinous than the iconoclasm of the Muslim marauders. It is time, then, to wrest Indology from the hands of the haters of the Hindu heritage, and reinstate the insiders’ approach. Naturally secular that Hindus are, they have tolerated for too long the “academic” Westerners’ intrusion into their cultural and intellectual space. It is time they took custody of their own hoary and hallowed tradition.

From Disdain to Disruption
The words of Matthew Arnold, carrying a ring of truth, and cited with approval by Coomaraswamy, may not suffice today:

“The brooding East with awe beheld
Her impious younger world.
The Roman tempest swell’d and swell’d,
And on her head was hurl’d. 

The East bow’d low before the blast
In patient, deep disdain;
She let the legions thunder past,
And plunged in thought again.”

The dictum of Vedānta Deśika (14th c. C.E.) – that goblins need to be responded to in their own language (lest they understand nothing, nor refrain from their diabolical diatribes) — piśācānāṁ piśāca-bhaṣayaiva uttaraṁ deyam — is more apposite today than during his own times when the invading hordes dealt untold destruction upon our opulent temples and innocent populace. What Veṅkaṭādhvarin (17th c. C.E.) grieved, of the horrendous brutalities and warrantless animosity of the alien tribes, the turuṣka-s and yavana-s, is not less true of the contemporary “academic elite”:

niṣkāruṇyatamais turuṣka-yavanair niṣkāraṇa-dveṣibhiḥ |

It is scholars like Manjushree that can rise to the occasion to remedy the grim situation. (With due apologies to Mallinātha commencing his commentary on Raghuvaṁśa/Kumārasambhava, we may say:)

bhāraty Ādikaveḥ Pollāg(Pollock)-durvyākhyā-viṣa-mūrcchitā |
Mañjuśrī-mañjulā-vāṇī tām adyojjīvayiṣyati ||

Makara Sankrānti
Hemalamba Saṁvatsara

Dr. K S Kannan
Academic Director
Swadeshi Indology Conference Series

More  Volumes are forthcoming in this Series.